Bach Bibliography
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1. A Cantata-Text Cycle of 1728 from Nuremberg: a Preliminary Report on a Discovery relating to J. S. Bach's so-called 'Third Annual Cycle' UnderstandingBach 10 2015 9-30
2. Edwin Fischer's Bach-Pianism in Context. UnderstandingBach 11 2016 107-127
3. An experiment in reception and conception: re-texting Bach's St John Passion for Good Friday 2005. UnderstandingBach 1 2006 87-88
4. The Postmodern Mindset, Musicology and the Future of Bach Scholarship. UnderstandingBach 1 2006 9-18
5. The Case of Bach and Japan: Some Concepts and their Possible Significance. UnderstandingBach 11 2016 140-146
6. A Compositional Testing Ground: Arias in J. S. Bach's Weimar Church Cantatas. UnderstandingBach 12 2017 9-20
7. Creating Clarity and Contrast: A Dialogue with Rachel Podger on the Analysis and Performance of Implied Polyphony in Bach's Unaccompanied Violin Works. UnderstandingBach 12 2017 59-84
8. Formal Deviations in the First Kyrie of the B minor Mass. UnderstandingBach 12 2017 21-36
9. J. S. Bach and the Two Cultures of Musical Form. UnderstandingBach 10 2015 109-122
10. The Conflict of Symmetrical Form and Text Settings by J. S. Bach. UnderstandingBach 11 2016 83-105
11. A Copyist of Bach and Zelenka: Identifying the Scribes of GB-Ob, MS Tenbury 749. UnderstandingBach 11 2016 131-139
12. Bach's Unsung Champion: Sir Henry J. Wood. UnderstandingBach 12 2017 126-132
13. Exploring the Limits: the Tonal, the Gestural, and the Allegorical in Bach's Musical Offering. UnderstandingBach 1 2006 19-38
14. Keyboard Technique as Contrapuntal Structure in J. S. Bach's Clavier Works. UnderstandingBach 10 2015 85-107
15. Bach and Money: Sources of Salary and Supplemental Income in Leipzig from 1723 to 1750. UnderstandingBach 12 2017 111-125
16. Bach to the Future: Recontextualising the Solo Violin Canon in 2014. UnderstandingBach 10 2015 171-173
17. 'Aus eigener Erfahrung redet': Bach, Luther, and Mary's Voice in the Magnificat, BWV 243. UnderstandingBach 10 2015 31-69
18. Cantors, Schoolmasters, and Directors of Music: New Research on Bach's Students. UnderstandingBach 10 2015 161-170
19. 'Having to perform and direct the music in the Capellmeister's stead for two whole years': Observations on How Bach Understood His Post during the 1740s. UnderstandingBach 12 2017 37-58
20. Music via Correspondence: A List of the Music Collection of Dresden Kreuzorganist Emanuel Benisch. UnderstandingBach 11 2016 39-56
21. Bach and Poland in the Eighteenth Century. UnderstandingBach 10 2015 123-137
22. Activities around the Composer's Desk: The Roles of Bach and his Copyists in Parody Production. UnderstandingBach 11 2016 9-38
23. On J. S. Bach's Compositional Technique. UnderstandingBach 11 2016 67-82
24. Big Boys Don't Cry? Attitudes towards Death in Bach's Leipzig. UnderstandingBach 1 2006 39-50
25. The Music of Leipzig's Royal Catholic Chapel during the Reign of August II. UnderstandingBach 11 2016 57-66
26. Transgression, Transcendence and Metaphor - the 'Other Meanings' of the B-Minor Mass. UnderstandingBach 1 2006 49-68
27. Remaining Silhouettes of Lost Bach Manuscripts? Re-evaluating J. P. Kellner's Copy of J. S. Bach's Solo String Compositions. UnderstandingBach 10 2015 71-83
28. A Glorious Summer Meeting: the 2015 Dialogue Report. UnderstandingBach 11 2016 149-152
29. A Missed Opportunity: Reflections on Written by Mrs Bach. UnderstandingBach 10 2015 141-157
30. Ten Years of Bach Network UK. UnderstandingBach 10 2015 175-177
31. The Use and Abuse of Fibonacci Numbers and the Golden Section in Musicology Today. UnderstandingBach 1 2006 69-85
32. Evangelists of the Postmodern: Reconfigurations of Bach since 1985. UnderstandingBach 12 2017 85-107

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